{"title":"OVERDRIVE","description":"","products":[{"product_id":"bonsai","title":"BONSAI","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFollowing in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a \"box of mods,\" it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eThe Bonsai Modes\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOD-1 - 1977\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-808 - 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe classic low gain with that signature pronounced mid range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-9 - 1982\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eMSL, POWER OR L SERIES - 1985\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-10 - 1986\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEXAR OD-1 1989\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTS-7 (+MODE) - 1999\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eKEELEY MOD PLUS - 2002\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eJHS STRONG MOD - 2008\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 20 MA, AND MEASURES 2.6\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eTHE WORDS IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, AND KEELEY, AUDIO PRECISION MAY BE REGISTERED TRADEMARKS. THE JHS PEDALS BONSAI IS IN NO WAY AFFILIATED OR ENDORSED BY IBANEZ, BOSS, ROLAND, TUBESCREAMER, TS9, 808, EXAR, KEELEY, AND AUDIO PRECISION.\u003c\/em\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317412860004,"sku":"BI","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsBonsai.png?v=1698381502"},{"product_id":"morning-glory","title":"MORNING GLORY V4","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTRULY TRANSPARENT TONE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Gain control sweeps from completely clean to rock‘n’roll\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Increased headroom and output for use as a full-frequency boost\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eON-THE-FLY VERSATILITY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Switch to a more powerful sound with enhanced low end and grit\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Changed to smaller current enclosure; gold powder coat color.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV3 = Bright-cut toggle added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV4 = Two times more headroom; Gain Toggle added; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 43MA, AND MEASURES 2.6\" X 4.8\" X 1.6\". \u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42317426851940,"sku":"MG","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsMorningGloryV4.png?v=1698363259"},{"product_id":"3-series-overdrive","title":"3 SERIES OVERDRIVE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. The JHS Pedals 3 Series Overdrive runs on 9V DC Negative Center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319792210020,"sku":"3SOD","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3-Series-Overdrive-front.png?v=1698427542"},{"product_id":"3-series-screamer","title":"3 SERIES SCREAMER","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe 3-Series Screamer is the beloved JHS Tube Screamer “Strong Mod”, but in a brand-new $99 pedal. This pedal represents years of Josh playing around with the legendary Tube Screamer circuit and wanting to offer those changes in an affordable package. You will find more clean headroom, better usability as a boost, more versatile drive and tone controls as well as a more pleasing frequency response. This may be the most well-balanced Tube Screamer on earth, but that’s for you to decide. The 3 Series Screamer runs on 9V DC negative center power and consumes 12mA.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319800598628,"sku":"3SSC","price":99.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-3Series-Screamer-Front.png?v=1698427823"},{"product_id":"pg-14","title":"PG-14","description":"\u003cmeta charset=\"UTF-8\"\u003e \u003cbr\u003e\n\u003ch2\u003e\u003cstrong\u003ePAUL GILBERT ARTIST SIGNATURE MODEL\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eALL THE MIDS CONTROL!\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 36MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319819898980,"sku":"PL","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsPG-14.png?v=1698429966"},{"product_id":"charlie-brown-v4","title":"CHARLIE BROWN V4","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEvery guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate classic Clapton, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.\u003c\/p\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eVINTAGE BRITISH CRUNCH FOR YOUR PEDALBOARD\u003c\/strong\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Turns any amp into a gritty JTM45 stack\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Go from sixties-style crunch to thick and liquid rock tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Stacks beautifully with overdrive pedals for even more shades of grit\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V1 = Larger enclosure; no Charlie icon.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V2 = Changed to current enclosure size; diamond knob layout.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V3 = Slightly different Drive Control and gain structure than V2.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V4 = Color changed to yellow; added three-band tone stack; five controls total; U-shaped knob layout.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 9MA, AND MEASURES 2.6\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319820652644,"sku":"CB","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsCharlieBrownV4.png?v=1698430052"},{"product_id":"angry-charlie-v3","title":"ANGRY CHARLIE V3","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFURIOUS-SOUNDING AMP IN A BOX\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Turns any amp into a screaming Marshall stack\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Drive and Volume control interact the same as a master volume amp head\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMARSHALL-STYLE TONE STACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control, so we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- Active controls boost and cut their selected frequencies\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V1 = Larger enclosure and three controls; no Presence Control.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V2 = Changed to current production size enclosure; diamond knob layout; Presence\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eControl added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e V3 = Color change to red; added three-band tone stack; five controls total; U-shaped knob layout.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL USES 9V TO 18V NEGATIVE CENTER. THIS PEDAL CAN BE RUN AT 18V FOR MORE HEADROOM AND GREATER DYNAMICS. DO NOT USE MORE THAN 18V DC. MEASURES AT 2.6\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319821144164,"sku":"AC","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsAngryCharlieV3.png?v=1698430243"},{"product_id":"at","title":"AT+","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eANDY TIMMONS SIGNATURE OVERDRIVE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIn 2016 we brought you Andy Timmons’ artist signature pedal, the AT or @, and we're really proud to bring you the next iteration of this phenomenal stomp box: The AT+.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDOES THE AT+ SOUND THE SAME AS THE ORIGINAL AT?\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different amplifier wattages. The up position is the 25-watt setting with the most compression and saturation and the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTWO CHANNELS ARE BETTER THAN ONE!  \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNew to the AT+ is an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Diamond shape knob layout; single foot switch.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = “AT+” U-shaped knob layout; two foot switches; limited edition AT+ pedals also come in a black colorway.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 15MA, AND MEASURES 2.2\" X 4.8\" X 1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTHE AT+ CAN BE SAFELY RUN ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eYOU CAN SAFELY RUN THE ORIGINAL (V1) “AT“ ON 18 OR 9 VOLTS\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319822717028,"sku":"AT","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/AT.png?v=1753371578"},{"product_id":"moonshine-v2","title":"MOONSHINE V2","description":"\u003cp\u003e\u003ca href=\"https:\/\/www.google.com\/url?q=http:\/\/www.instagram.com\/arthousegrandview\u0026amp;amp;source=gmail\u0026amp;amp;ust=1790348896731000\u0026amp;amp;sa=E\" rel=\"noopener\" target=\"_blank\"\u003e\u003c\/a\u003e\u003cstrong\u003eOVERDRIVE \u003c\/strong\u003e     \u003c\/p\u003e\n\u003cp class=\"\"\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCLEAN BLEND\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.  The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCHARGE PUMP\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9V to 18V charge pump that allows it to run on normal 9V but converts it internally to 18V for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge “wall of rock”\/The Edge-style force through a Vox.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDUMBLE-ESQUE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. It also kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = V-shaped knob layout; no Clean Blend Control.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Square-shaped knob layout; added Clean Blend Control.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 30MA, AND MEASURES 2.2\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319845425252,"sku":"MS","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsMoonshineV2.png?v=1698431893"},{"product_id":"kilt-v2","title":"KILT V2","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eOVERDRIVE \/ FUZZ \/ DISTORTION\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhen we got the opportunity to work with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn’t pass it up. Right out of the gate Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and the V2 has been honed into a compact and versatile tone-machine.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eEXPANDORA AT HEART\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Kilt V2 has the same fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that feels even better than the original Expandora. Three toggles enhance the tweakability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different from typical diode clipping selectors used in drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion-- and everything in between.\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTOGGLES FOR DAYS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– G1 flipped up adds a touch of drive for more riffy grit\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– G2 flipped up puts you dangerously close to distortion, with more saturation and sustain for lead tones\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything\u003c\/p\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV1 = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eand four toggles.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eV2 = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 64MA, AND MEASURES 2.6” X 4.8” X 1.6”\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42319845785700,"sku":"KT","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSPedalsKiltV2.png?v=1698431980"},{"product_id":"notaklon","title":"NOTAKLÖN","description":"\u003cdiv\u003e\u003cstrong\u003e**The NOTAKLÖN is omitted from Welcome15 and SMS discount codes.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003ch2\u003e\n\u003cstrong\u003eA SOLDERLESS DIY KIT!\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eWe’re proud to present the NOTAKLÖN DIY Overdrive kit, which utilizes the unique “Shamrock” modification that JHS performed on the *Klon KTR for several years. With easy-to-understand instructions (no soldering required), this kit is for anyone who wants a particularly mythical overdrive and the experience of easily building their own pedal. We’ve even included \"goop\" so that you can conceal the \"magical\" diodes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s NOTAKLÖN 'til you build it. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**ALL SALES FINAL**  \u003c\/strong\u003eThis product is a DIY kit.  No returns will be accepted under any conditions.  This product is covered by a limited liability warranty. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**\u003cmeta charset=\"UTF-8\"\u003eNOTAKLÖN is excluded from any discounts. \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003ch4\u003e\n\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eOutput –\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more. \u003cbr\u003e\u003cstrong\u003eTreble –\u003c\/strong\u003e Controls the amount of treble boost or cut. Noon is neutral. \u003cbr\u003e\u003cstrong\u003eGain –\u003c\/strong\u003e Controls the amount of overdrive. Fully left is clean, which gives the ability to add up to +16dB of clean boost in conjunction with the output. Fully right is max overdrive. As the control is turned clockwise, there is an increase in the mid-frequency range. \u003cbr\u003e\u003cstrong\u003eShamrock Mod Switch –\u003c\/strong\u003e Increases the overall gain +4dB for unmatched boost abilities with an increase in mid frequencies and an additional stage of hard-edge clipping. \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eInput\u003c\/strong\u003e - 1\/4” jack on the top right side of the pedal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e - 1\/4” jack on the top left side of the pedal. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER \u003c\/strong\u003e – \u003cstrong\u003eRequires 9V DC negative center power and consumes 30mA. Do not use more than 9V DC as the pedal internally converts 9V to 18V. If you do, you will void your warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal measures 4.7\" X 3.7\" X 1.66”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e*THE KLON KTR IS A REGISTERED TRADEMARK. THE JHS PEDALS NOTAKLÖN IS IN NO WAY AFFILIATED WITH OR ENDORSED BY KLON.\u003c\/em\u003e \u003c\/strong\u003e\u003cbr\u003e\u003cbr style=\"font-weight: 400;\"\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":42409740599396,"sku":"NKLN","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/image_61fa0136-8564-4499-a349-83613710a482.png?v=1755872000"},{"product_id":"the-violet","title":"VIOLET","description":"\u003cp dir=\"ltr\"\u003eThe Violet Distortion is a new take on distortion\/overdrive brought to you from the collaborative minds of Josh Scott and highly influential Brazilian guitarist Lari Basilio! Using this pedal is like adding a new and ultra-flexible distortion channel to your favorite clean amplifier. The unique three-band EQ sets the Violet apart from our other popular distortion pedals. We placed the Midrange control before the distortion circuit as a powerful pre-amp distortion shaping tool. This single design choice allows the Violet to achieve hundreds of tones, from overdrive to full-on modern distortion. Treble and Bass controls are located in a more traditional position after the distortion circuit, offering familiar but extremely flexible post-distortion shaping you’re accustomed to.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe Violet also excels at stacking with other overdrives, distortions, and fuzzes, allowing it to fit perfectly into any rig as a second or new primary dirt device.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis pedal is for anyone looking to give their guitar a new voice. As Lari put it, “Why would I need words when my guitar can speak for me?” \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eVolume - Controls the overall volume of the unit. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMid Freq - Controls which mid frequencies are boosted or scooped by the Mid control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGain - Controls the amount of drive. Left is less, right is more.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBass - Controls level of bass frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMiddle - Controls level of mid frequencies. Noon is flat, left is scooped, right is boosted. The frequency range is set by the Mid Freq control.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eTreble - Controls level of treble frequencies. Noon is flat, left is cut, right is boosted.\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003eINPUT - ¼” jack on the top right side of the pedal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOUTPUT - ¼” jack on the top left side of the pedal.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003ePOWER - Uses 9V DC Negative Center. Do not use more than 9V DC. Damage may occur and your warranty will be voided. Silent, soft touch switching with a buffered bypass.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eTHIS PEDALS MEASURES 2.6\" X 4.8\" X 1.6\"  AND CONSUMES 55mA.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLEARN MORE ABOUT LARI –\u003ca href=\"http:\/\/www.madisoncunningham.com\/\"\u003e \u003c\/a\u003e\u003ca href=\"https:\/\/www.laribasilio.com\/\"\u003eWWW.LARIBASILIO.COM\/\u003c\/a\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"JHS Pedals","offers":[{"title":"PURPLE","offer_id":44672691961956,"sku":"VIPL","price":199.0,"currency_code":"USD","in_stock":true},{"title":"BLACK","offer_id":44672691994724,"sku":"VIBK","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHSVioletPurple.png?v=1730730489"},{"product_id":"424-gain-stage","title":"424 GAIN STAGE","description":"\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003ePREAMP \/ DISTORTION \/ OVERDRIVE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 424 Gain Stage gives all the elastic, lo-fi tone inspired by a guitar being plugged straight into a vintage 424 multi-track recorder.  With the 424 Gain Stage pedal, you can easily integrate the rubbery clean tones, high head room, and smashed out fuzz that’s being repopularized by today’s emerging guitarists.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMulti-track recorders were made famous in the ‘80s and ‘90s, and gave musicians and songwriters the ability to bring our songs to life from the comfort of our cluttered bedrooms. These devices meant for home studios eventually found their way onto hit records like Springsteen’s \u003c\/span\u003e\u003cspan\u003eNebraska, \u003c\/span\u003e\u003cspan\u003ethe Wu-Tang Clan’s \u003c\/span\u003e\u003cspan\u003eEnter the Wu-Tang, \u003c\/span\u003e\u003cspan\u003eand Spoon’s \u003c\/span\u003e\u003cspan\u003eGimme Fiction\u003c\/span\u003e\u003cspan\u003e. Many of the vocal parts and fuzzy guitar tracks on \u003c\/span\u003e\u003cspan\u003eGimme Fiction \u003c\/span\u003e\u003cspan\u003e– a huge inspiration for the creation of the \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.sbs\/collections\/all-products\/products\/colour-box-10\"\u003e\u003cspan\u003eColour Box \u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e– were actually recorded on a vintage multi-track unit. Since hearing those recordings, the 424 Gain Stage has been brewing in the background, and now we’re proud to bring it to you.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this historically accurate recreation, \u003cstrong\u003ewe perfectly replicated the original 424 MKI circuit using the original UPC4570 and NJM4565 op-amps\u003c\/strong\u003e and all the original controls, which is crucial for recreating the unique character that makes the old units sound so good.  The 424 MKI's gain controls–trim, channel volume, \u0026amp; master volume–all work in tandem for dialing up your desired tone and can be further refined with the Low and High EQ settings. In addition, our unit offers a ¼” output alongside a balanced XLR output (DI out) for ultimate flexibility in any situation, live or studio.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe 424 Gain Stage as a DI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGoing DI will give you the exact same unparalleled gooey texture and lo-fi fuzz you get when plugging directly into a 424 without the hassle of dragging around your beloved vintage unit. Leave it on your recording desk for easy access. If you want to get fancy,  you can toss an \u003c\/span\u003e\u003ca href=\"https:\/\/jhspedals.sbs\/products\/active-a-b-y\"\u003e\u003cspan\u003eActive A\/B\/Y\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e switcher at the end of your rig and send the A output to your amp and the B output to the JHS 424 Gain Stage input, then XLR output of the pedal directly into your mixer or interface. This way, you can flip between your amp and the 424 Gain Stage easily or play through both at the same time. Give it a try! \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eThe 424 Gain Stage with an Amp\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePlugging a vintage 424 unit into your amp is quite a feat. In this pedal format, you can easily integrate the tone of the 424 with the saturation of your favorite amp. This adds a whole new quality to the tone and gives the ability to stack it with your other pedals. Use it as a gain stage to boost your signal, a unique and colorful new overdrive sound, or push the gain knobs into full-on overloaded and broken fuzz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4\u003eCONTROLS\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eVOLUME\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(Corresponds to 424 MKI's Master) \u003c\/span\u003e\u003cspan\u003e- Controls the output volume. Left is less, right is more.  On the 424 MKI, this is the MASTER fader. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eGAIN 1\u003c\/strong\u003e (TRIM) \u003c\/span\u003e\u003cspan\u003e- Sets how much preamplification will be added to the input signal.  On the 424 MKI, this is the TRIM control.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eGAIN 2\u003c\/strong\u003e (CHANNEL) \u003c\/span\u003e\u003cspan\u003e- Sets the volume level of the second gain stage. On the 424 MKI, this is the CHANNEL fader.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eBASS\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Cuts or boosts bass frequencies. Left is less, right is more. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eTREBLE\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Cuts or boosts the treble frequencies. Left is less, right is more.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e \u003c\/strong\u003e- Top ¼” right jack.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e- Top ¼” left jack.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eXLR OUTPUT\u003c\/strong\u003e\u003cspan\u003e - XLR jack on the left side of the pedal. This is a balanced output which can be used as a direct-out straight into a mixer or interface. The 1\/4” output and XLR output can be used simultaneously.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eGROUND LIFT\u003c\/strong\u003e\u003cspan\u003e - Dip switch on the left side of the pedal. If you experience a hum\/buzz while using the XLR output, use this switch to lift the ground.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e\u003cspan\u003e - Requires 9VDC center negative power and consumes 50mA. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe 424 Gain Stage is silent, soft touch switching with a buffered bypass.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 50MA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cbr\u003e\u003c\/h6\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":46344095072356,"sku":"424","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/424Update.png?v=1765894243"},{"product_id":"notaklon-splatter","title":"NOTAKLÖN SPLATTER","description":"\u003ch4\u003e\u003cstrong\u003eThis item is excluded from WELCOME15 and SMS\/Text  discounts. \u003cbr\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e**ALL SALES FINAL**  \u003c\/strong\u003eThis product is a DIY kit.  No returns will be accepted under any conditions.  This product is covered by a limited liability warranty. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e**\u003cmeta charset=\"UTF-8\"\u003eNOTAKLÖN is excluded from any discounts. \u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003eA SOLDERLESS DIY KIT!\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp\u003eWe’re proud to present the NOTAKLÖN DIY Overdrive kit, which utilizes the unique “Shamrock” modification that JHS performed on the *Klon KTR for several years. With easy-to-understand instructions (no soldering required), this kit is for anyone who wants a particularly mythical overdrive and the experience of easily building their own pedal. We’ve even included \"goop\" so that you can conceal the \"magical\" diodes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s NOTAKLÖN 'til you build it. \u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4\u003e\n\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eOutput –\u003c\/strong\u003e Controls the overall volume of the pedal. Left is less, right is more. \u003cbr\u003e\u003cstrong\u003eTreble –\u003c\/strong\u003e Controls the amount of treble boost or cut. Noon is neutral. \u003cbr\u003e\u003cstrong\u003eGain –\u003c\/strong\u003e Controls the amount of overdrive. Fully left is clean, which gives the ability to add up to +16dB of clean boost in conjunction with the output. Fully right is max overdrive. As the control is turned clockwise, there is an increase in the mid-frequency range. \u003cbr\u003e\u003cstrong\u003eShamrock Mod Switch –\u003c\/strong\u003e Increases the overall gain +4dB for unmatched boost abilities with an increase in mid frequencies and an additional stage of hard-edge clipping. \u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eInput\u003c\/strong\u003e - 1\/4” jack on the top right side of the pedal. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e - 1\/4” jack on the top left side of the pedal. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePOWER \u003c\/strong\u003e – \u003cstrong\u003eRequires 9V DC negative center power and consumes 30mA. Do not use more than 9V DC as the pedal internally converts 9V to 18V. If you do, you will void your warranty.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal measures 4.7\" X 3.7\" X 1.66”\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e*THE KLON KTR IS A REGISTERED TRADEMARK. THE JHS PEDALS NOTAKLÖN IS IN NO WAY AFFILIATED WITH OR ENDORSED BY KLON.\u003c\/em\u003e \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":47081302360164,"sku":"NKSPLAT","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/NK-Splatter_D3.png?v=1760453033"},{"product_id":"kilt-10","title":"KILT 10","description":"\u003ch2 dir=\"ltr\"\u003e\u003cstrong\u003eTHE KILT 10 - CELEBRATING A DECADE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter ten years, the Kilt gets a refreshed voice and reimagined aesthetic. An updated clipping section delivers more headroom, smoother attack, and a richer, more dynamically useful drive range than ever before.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHERE IT BEGAN\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2015 we launched the ultimate dirt pedal with Stu G (legendary guitarist, writer, producer, and founding member of UK band Delirious?), and we never looked back. He wanted a pedal that could cover any ground he needed for his studio work and extensive touring gigs across the globe. From that request, the Kilt was born, and ever since, it has been one of our best-selling overdrive\/distortion pedals year after year.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE EVOLUTION OF OVERDRIVE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe original Kilt carved out its own space in a crowded field by focusing on clarity, versatility and musical responsiveness. But over the years, we kept hearing the same requests: more headroom for cleaner tones, more audible effect from the flat\/cut toggle, and more control over the low-gain textures. The Kilt 10 addresses every one of these requests while maintaining the DNA that made you fall in love with the Kilt in the first place. It's what you love but better.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT'S NEW FOR 2025\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAn Updated Look –\u003c\/span\u003e\u003cspan\u003e The finish returns to polished aluminum as a tribute to the original Kilt V1, now paired with classic Expandora-style knobs. It’s wrapped up with a refreshed Kilt icon that cleverly nods to both the Scottish flag and the Roman numeral “X” to represent ten years.   \u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eImproved Gain Control\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain knob now offers a far more usable range from 0-25%, unlocking articulate, low-gain textures that weren't previously accessible. No more dead zones — just smooth, musical breakup from whisper-quiet to full saturation.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eEnhanced High-End Clarity\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e We've refined the top end to help the pedal cut through a mix with greater definition, which is especially noticeable in live band settings where every bit of clarity counts.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eIncreased Volume Headroom\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e More output on tap translates into a more responsive tone across your entire rig, adding dimension and feel whether you're hitting a clean amp or stacking with other drives.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eRefined Toggle Switches\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e:\u003c\/strong\u003e The gain toggles have been tweaked for more usable gain parameters while keeping the pedals original feel and settings. The Low-Cut toggle is now far more amp-friendly, working well across a wider range of amplifiers (including amp modeler pedals and software).\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eDiode Choice Enhancement\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e: \u003c\/strong\u003eA new clipping circuit adds more touch-sensitive feel and nuance without departing from the pedal's core identity. It has slightly more compression, distortion on tap, and a smoother attack. Think Kilt V2 but bigger. From the first chord you play, you will love how it feels. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eHOW TO USE IT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe beauty of the Kilt 10  is that it functions exactly like the Kilt V2. With G1 down and G2 up, it acts like a higher gain stage boost—perfect for pushing your amp's front end or stacking with fuzz. Flip both toggles up and you get that massive wall of saturated British overdrive that made the original famous. The improved gain sweep means you can dial in everything from edge-of-breakup rhythm tones to singing lead saturation to all out gated spitting fuzz.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe enhanced headroom and clarity make this version particularly suited for complex chord work and intricate picking patterns that would get lost in lesser overdrives.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAnd don't forget—the Kilt comes equipped with proprietary JHS Red Remote circuitry that allows you to switch the gain toggle on-the-fly for instant changes between overdrive and distortion, or distortion and fuzz!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVOLUME\u003c\/span\u003e\u003cspan\u003e - Controls the output volume. Left is less, right is more.. More headroom means you no longer have to turn your volume up past noon and you have more ability to use as a boost. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGAIN\u003c\/span\u003e\u003cspan\u003e - Controls the amount of drive or distortion. Left is less, right is more. Never before has the first 25% of the gain range been so usable. You will find transparent overdrive textures that were never before possible as well as the familiar and much loved gating fuzz abilities that the last 25% of the range offers. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTONE\u003c\/span\u003e\u003cspan\u003e - Controls the amount of brightness. Left is darker, right is brighter. High-frequency control with enhanced clarity and improved amp compatibility. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eG1 \/ G2 TOGGLEs\u003c\/span\u003e\u003cspan\u003e - These toggles work together to give you up to 4 different resistance clipping options. Both toggles down is the lowest gain setting. G1 up gives you more overdrive. G2 up gives you more fuzz. Both toggles up gives you the heaviest gated fuzz the Kilt offers! The G2 \u003c\/span\u003e\u003cspan\u003etoggle can also be engaged by a Red Remote.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLOW-CUT TOGGLE\u003c\/span\u003e\u003cspan\u003e - The down position is flat EQ, while the up position is the “cut” mode with less bass. In “cut” mode lows are reduced  for an overall tone that cuts through the mix like never before. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eINPUT - Lower jack on the right side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOUTPUT - Jack on the left side of the pedal.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRED REMOTE - Upper jack on the right side of the pedal with a red washer.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Kilt 10 isn't about reinventing the wheel — it's about perfecting it. We've taken a decade of player feedback, countless hours of refinement, and distilled it into what we believe is the most complete version of this classic circuit we've ever made.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt V1\u003c\/span\u003e\u003cspan\u003e = Larger enclosure; two foot switches; independent boost on right side; four knobs\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eand four toggles.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt V2\u003c\/span\u003e\u003cspan\u003e = Smaller enclosure; three knobs and three toggles; Red Remote system added.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eKilt 10 \u003c\/span\u003e\u003cspan\u003e= 10 Year Anniversary Special Edition Mod released in 2025. Polished aluminum finish with Expandora-style knobs. Updated Scottish flag-inspired icon \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 64mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":47393490305124,"sku":"K10","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/Kilt-10year3.png?v=1764024060"},{"product_id":"morning-glory-clean","title":"MORNING GLORY CLEAN","description":"\u003ch4 dir=\"ltr\"\u003eWHEN TRANSPARENT OVERDRIVE ISN'T GOOD ENOUGH\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe took our most legendary overdrive to a new level and \u003c\/span\u003e\u003cspan\u003eredefined what it means to be transparent. Clearer pick attack, improved low end, and more versatile gain stacking. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the ultimate first-stage overdrive pedal. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003eIT STARTED AT SOUND CHECK. \u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI watched \u003c\/span\u003e\u003ca href=\"https:\/\/www.julianlage.com\/\"\u003e\u003cspan\u003eJu­lian Lage\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e dial in his tone at a sound­check in Chica­go. Vin­ta­ge Fen­der amp. Collings semi-hol­low gui­tar. He ad­just­ed pickup heights, moved po­si­tions on stage, chas­ing the per­fect bal­ance. It was cap­ti­vat­ing. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eJu­lian has used a Morn­ing Glo­ry for years — he's a big rea­son it end­ed up on jazz ped­al­boards world­wide. Af­ter the sound­check, we dis­cussed what he looked for in an over­drive. One thing led to an­oth­er. My brain start­ed wan­der­ing off into dif­fer­ent ideas. Could we make the Morning Glory even better? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHE PROBLEM WITH TRANSPARENT.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhen you add over­drive — any type of clip­ping — you lose nu­ance. Pick at­tack gets com­pressed. Dy­na­mics nar­row. All overdrives shape frequency response, even the most transparent.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSo we tried some­thing no one's done: we took our Morn­ing Glo­ry (a Blues­breaker-style topol­o­gy) and com­plete­ly re­built it around a stu­dio-grade par­al­lel clean blend. Not just a mod­i­fi­ca­tion, a re­design from the ground up.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn pa­per, it seemed point­less — why blend a clean sig­nal into some­thing al­ready trans­par­ent? \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHere's why. The Morn­ing Glo­ry's magic happens when you turn up the Drive, the circuit boosts higher harmonics and adds soft com­pres­sion. Jan­g­ly. Per­fect in a mix. The par­al­lel clean cir­cuit lets you keep all that while di­al­ing the nat­ur­al low end back in — all the tone, all the char­ac­ter. Noth­ing com­pro­mised.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eTHIS ISN'T A CLEAN KNOB SLAPPED ON A MORNING GLORY. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFor those won­der­ing — let's talk about what's ac­tu­al­ly hap­pen­ing in­side.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Clean con­trol uses a dual-gang po­ten­tiome­ter. As you turn it, clean gain scales pro­por­tion­al­ly with the drive sig­nal — it’s per­fect­ly en­gi­neered from the ground up. Most clean blends are an af­terthought — a sim­ple mix knob tacked onto an ex­isting cir­cuit. This one was de­signed so the two sig­nals track to­geth­er across all gain settings. No vol­ume jumps. No weird phase is­sues. Just seam­less blend­ing from Morn­ing Glo­ry to pure sig­nal and every­thing in-be­tween. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe pow­er sec­tion runs on a ±9V dual sup­ply — the same topol­o­gy as our V4 — which gives you high­er head­room than the orig­i­nal V1 cir­cuit and any oth­er Bluesbreak­er-style ped­al out there. This is where most clones get it wrong. Think of it as the orig­i­nal Ver­sion 1 Morn­ing Glo­ry voic­ing with the V4 en­gi­neer­ing en­hance­ments. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Tone con­trol af­fects only the over­drive path. Your clean sig­nal stays par­al­lel and un­touched. For the peo­ple who care about this stuff: this is the most thought-out and so­phis­ticat­ed Morn­ing Glo­ry we've ever built. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eENDLESS HEADROOM, ANY VOLUME.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEnd­less head­room. Those mas­sive clean gui­tar sounds that you love on record­ings — most were made at vol­umes that would get you evict­ed. The Morn­ing Glo­ry Clean gives you the stiff­ness and au­thor­i­ty of a high-wattage amp at the edge of breakup — with­out the earplugs. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThink of the Clean con­trol as adding back in wattage, clar­i­ty, and punch.\u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eIT GOES ON EVERYTHING.  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eStack a dis­tor­tion in front and the sus­tain opens up in­stead of clos­ing off. Run it af­ter de­lay for new territories of series\/parallel textures. First-stage over­drive? This is the best we've ever built. Pe­riod.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt breathes in front of amp mod­el­ers too. The over­drive and pres­ence of the classic Morn­ing Glo­ry, with your at­tack and low-end con­tent di­aled back in — magic in front of a Kem­per, Quad Cor­tex, UAD, or He­lix. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBass play­ers: the orig­i­nal Morn­ing Glo­ry rolls off low end just like a fi­nal mix. That's why you love it — that's why it's be­come a stan­dard on so many pro bassists' boards. The clean blend di­als that low end back on com­mand for your dif­fer­ent bass and ampli­fi­er needs. This might be the best bass over­drive we've ever made. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWho this isn't for.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis ped­al isn't for every­one and we're con­fi­dent in say­ing that. If you want the dopamine hit of a wild new sound, look else­where. If you want tons of con­trols, tweaka­bil­i­ty, bells and whis­tles — this is not that. This ped­al does less while giv­ing you more. No bad sounds. Im­me­dia­te gra­ti­fi­ca­tion. Leave it on and for­get it's there. \u003c\/span\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eCON­TROLS \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVol­ume — \u003c\/span\u003e\u003cspan\u003eAdjusts the overall volume in conjunction with the drive and clean. \u003c\/span\u003e\u003cspan\u003e  \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean — Full left: orig­i­nal Morn­ing Glo­ry. Full right: pure clean sig­nal. Start with Clean and Drive maxed, dial Clean back (counter clockwise) un­til you find your perfect bal­ance. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrive — Sat­u­ra­tion. Crank it and use the Clean con­trol as your bal­ance. This ped­al is de­signed to be used this way. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTone — Clas­sic Morn­ing Glo­ry tone stack. Af­fects only the drive path. Back for warmth, for­ward for clar­i­ty. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eClean Boost Pro Tip – Morning Glory Clean can be used as a stand-alone clean boost.  Set the Clean to 100% (fully clockwise) and  increase the Drive.  In this configuration, the Drive will not produce any overdrive clipping - only clean volume boosting. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch4 dir=\"ltr\"\u003e\n\u003cspan\u003eSPEC­I­FI­CA­TIONS\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h4\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- ±9V Dual Sup­ply (mas­sive head­room) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Top-mount­ed jacks \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- 9V DC Cen­ter Neg­a­tive\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e- Silent Buffered Bypass Switching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 2.6” X 4.8” X 1.6” AND CONSUMES 60mA. DO NOT USE MORE THAN 9VDC. DAMAGE MAY OCCUR AND YOUR WARRANTY WILL BE VOIDED.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":47791785508964,"sku":"MC","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/MG-Clean.png?v=1769698894"},{"product_id":"notadumble-v2","title":"NOTADÜMBLË V2","description":"\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e\u003cem\u003e***This product is excluded from WELCOME15 and SMS discounts. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e**ALL SALES FINAL**  This product is a DIY kit.  No returns will be accepted under any conditions.  This product is covered by a limited liability warranty. \u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\n\u003cstrong\u003eIT’S NOTADÜMBLË 'TIL YOU BUILD IT.\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWe're proud to present the NOTADÜMBLË V2 — the two-channel DIY Dumble kit pedal you asked us to build. The V1 accidentally had the wrong boost circuit. The V2 fixes that and gives several more new features. We added a second footswitch, an effects loop, an order toggle, and moved the Presence trim pot to the face of the pedal. Every change here came from your suggestions!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHY V2 EXISTS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2019, Josh left a John Mayer rehearsal in Los Angeles with two extremely rare Dumble units in his backpack to reverse engineer. The first was the A Box Later, a device Howard Dumble built sometime in the 1980s as a buffer preamp boost with a built-in effects loop. John has used it in several situations over the years. We cloned it, named it the Box It Later, and that pedal has lived on versions of Mayer's pedalboards since 2021.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe second unit was the Dumble BBC-1, a far more obscure preamp boost. We cloned that one too and made John a private copy called the Basic Boost. At the time Josh assumed he was simply cloning a JFET booster that Howard threw together. He didn't know that years later he would discover that Dumble's BBC-1 was itself a near-part-for-part clone of a Barcus Berry acoustic preamp from the 1970s. The legendary Dumble FET sound — the one inside $200,000 to $400,000 amplifiers — is a clone of a piezo preamp. That rabbit trail belongs to the Fumble, not this pedal. Check it out \u003ca rel=\"noopener\" href=\"https:\/\/jhspedals.sbs\/collections\/all-products\/products\/fumble\" target=\"_blank\"\u003ehere\u003c\/a\u003e. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe NOTADÜMBLË V1 was always supposed to use the Box It Later circuit as its clean channel. The one John actually uses. Two weeks after launch, while prepping a Short Circuit episode about modding the kit, we discovered we had used the BBC-1 instead. The two units look similar. They sound similar. They were both built by Howard, both clean boosts, both reverse engineered for John in 2019. Cliff Smith, our head of R\u0026amp;D at the time, did most of that reverse engineering. His notebooks were the documentation. Cliff passed away a few months after we shipped John's replicas, and when the NOTADÜMBLË kit was greenlit years later, the wrong schematic was the one that got pulled. It slipped through the cracks. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eI made a video called \"\u003ca rel=\"noopener\" href=\"https:\/\/youtu.be\/-MLiMJRlC9s?si=EXbuVrrDBz91KaMa\" target=\"_blank\"\u003eThe Biggest Mistake I've Ever Made\u003c\/a\u003e.\" I told everyone. We sold through the remaining V1 inventory, discontinued the kit after our batch of 15,000 sold out, and refunded anyone who asked. Then we released the BBC-1 as its own pedal — the Fumble — so the circuit V1 owners loved didn't disappear. \u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the V2. It does what the V1 was always supposed to do. Plus everything you asked us to add. It is unquestionably better than the V1. Consider it the Deluxe Edition!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT'S NEW\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eThe correct clean circuit.\u003c\/span\u003e\u003cspan\u003e The Box It Later (A Box Later clone) is in. The BBC-1 is out. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTwo independent footswitches.\u003c\/span\u003e\u003cspan\u003e V1 had a slider switch to choose between channels. You  wanted a true 2 in 1. Both channels are now independently footswitchable.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eTRS effects loop on the clean channel.\u003c\/span\u003e\u003cspan\u003e Just like the original A Box Later has. Use a TRS-to-TS\/TS Y-cable to insert one pedal, two pedals, or your whole board into the clean circuit. No cable inserted = loop bypassed automatically. Incredibly useful for building out entire lead tones from multiple pedals and activating with a single stomp!\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOrder toggle.\u003c\/span\u003e\u003cspan\u003e A front slide switch chooses which channel runs first in series when both are active. Drive → Clean is a lead lift. Clean → Drive turns the boost into a distortion driver.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eExternal Presence knob.\u003c\/span\u003e\u003cspan\u003e The dirt side Presence trim pot lived inside V1. We moved it to the face of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE OVERDRIVE CHANNEL\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe dirt side captures the sustaining violin Dumble tone heard on Larry Carlton records, Eric Johnson's lead voicing, Carlos Santana, Robben Ford, Robert Randolph and any Joe Bonamassa solos where the amp is doing the dirty work. It's a boutique overdrive lineage that traces back to a stripped-down, heavily modified Tube Screamer with unusual clipping and a different gain feel — the lineage that 80% of pedal builders have cloned in some form, whether they admit it or not. We didn't reinvent it. We made it affordable, and we put it in a kit so you can build it yourself.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eNeck pickup. Medium-high drive. EQ rolled back. That's the violin tone that so many people search for. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eTHE CLEAN CHANNEL AND THE LOOP\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe Box It Later was always more than a boost. Howard built the send-return jack into the original design because he was building for rack-era players who wanted to buffer and insert a new pedal into their entire effects chain.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eV2 brings that idea back. Plug a TRS-to-TS\/TS Y-cable into the loop jack and you've got a send and a return. Insert any pedal. Insert a chorus and a delay. Insert your whole side board. Stomp the right footswitch and the entire chain inside the loop comes on at once. No tap dancing.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThree real-world uses:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eOne-stomp lead preset.\u003c\/span\u003e\u003cspan\u003e Put your favorite delay, chorus, and distortion inside the loop. One footswitch becomes your lead voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eAdd a volume knob to anything.\u003c\/span\u003e\u003cspan\u003e Drop a Boss tremolo, a Line 6 DL4, or any pedal that doesn't have one inside the loop, and you've just added two controls to it — the clean channel's Output (master volume) and Input (impedance and brightness shaper). This was the most popular paid mod we did at JHS back in the day. Now you do it yourself.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cspan\u003eModulation or delay before or after drive.\u003c\/span\u003e\u003cspan\u003e Flip the order toggle. Same pedals, completely different feel.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eA note on the Input control: it's not a gain knob. It changes the impedance the signal sees as it enters the circuit, which affects how bright, dark, tight, or full things feel — in ways that depend on the guitar and pedals before it. Zero is thinner and more precise. Ten is fuller and rounder. On some rigs the difference is obvious. On others it's subtle. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eOVERDRIVE CHANNEL\u003c\/strong\u003e\u003cspan\u003e — Left Footswitch\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eVolume\u003c\/span\u003e\u003cspan\u003e – Controls the overall volume of the overdrive channel. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrive\u003c\/span\u003e\u003cspan\u003e – Controls the amount of overdrive. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEQ\u003c\/span\u003e\u003cspan\u003e – Adjustable low-pass filter. Left cuts more high frequencies, right cuts less.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePresence\u003c\/span\u003e\u003cspan\u003e – Controls the upper-mid range and treble frequencies in the gain stage. Left is less, right is more.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eCLEAN CHANNEL\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003e— Right Footswitch\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOutput\u003c\/span\u003e\u003cspan\u003e – Controls the output volume of the clean channel for the effects loop send.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInput\u003c\/span\u003e\u003cspan\u003e – Controls the volume of the incoming signal on the effects loop return. Not a standard gain control — changes impedance, which affects tone and feel.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eADDITIONAL\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEffects Loop Jack\u003c\/span\u003e\u003cspan\u003e – Use a TRS-to-TS (tip) \/ TS (ring) Y-cable to insert an effect into the clean channel loop. Tip is send, ring is return. No cable inserted = loop bypassed automatically.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOrder Switch\u003c\/span\u003e\u003cspan\u003e – Front slide switch. Selects which channel is first in series when both sides are on.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInput\u003c\/span\u003e\u003cspan\u003e – 1\/4\" jack on the right side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOutput\u003c\/span\u003e\u003cspan\u003e – 1\/4\" jack on the left side of the pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eEffects Loop\u003c\/span\u003e\u003cspan\u003e – 1\/4\" TRS jack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePOWER\u003c\/span\u003e\u003cspan\u003e – Requires 9VDC center negative power and consumes 25mA. Do not use more than 9V DC. If you do, you will void your warranty.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e****HOWARD ALEXANDER DUMBLE AND DUMBLE AMPLIFIERS ARE NOT AFFILIATED WITH OR ENDORSED BY JHS PEDALS. THE NOTADÜMBLË V2 IS A REPLICA OF CIRCUITS BUILT BY HOWARD DUMBLE AND IS OFFERED IN TRIBUTE TO HIS WORK.***\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":48763809661028,"sku":"NDV2","price":119.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/JHS-Pedals-NotadumbleV2-Front.png?v=1784131776"},{"product_id":"at-mini","title":"AT MINI","description":"\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eINSTANT TONES. SMALLER FOOTPRINT. SMALLER PRICE.\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn 2016 we released Andy Timmons' signature overdrive, the AT — or as everybody ended up calling it, \"the @.\" It started in 2013 when Andy bought a JHS Angry Charlie and made it his main lead channel, beating out the distortion channels of the boutique amps he's known for. We met at NAMM, discussed some ideas for his own version, and soon after, the AT was born.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe AT Mini is the original V1 AT circuit, permanently set in Andy's preferred 100-watt mode — the open, loud, less-compressed voicing with the most volume and the most amp-like crunch. No toggle. Just the setting the guy whose name is on the pedal uses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you need the most authentic British distortion lead and rhythm sound you can find — one that perfectly replicates the punch, saturation, and unmistakable feeling of standing in front of a stack of loud amplifiers — this is it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eWHAT'S DIFFERENT\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is the same exact circuit as the V1.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSame four knobs. Smaller box, smaller price.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFIRST: We put it in a new enclosure — a compact case that gives you back valuable board real estate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSECOND: We removed the wattage toggle and set the voicing to 100 watts.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTHAT'S IT: Volume, Drive, EQ, and Air all work exactly as they always have.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you want the 25-watt and 50-watt voicings, or the independent footswitchable boost channel, that's the AT+. Still in the JHS Pedals catalog. Still $219.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf you want Andy's tone with Andy's exact setting in a smaller footprint for $129, this is it.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eVOLUME \u003c\/strong\u003e– Controls the output volume.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eDRIVE \u003c\/strong\u003e– Controls the amount of drive and gain, just like a tube amp being cranked at high volumes. Wide range from high-gain blues to thunderous distortion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eEQ \u003c\/strong\u003e– A high pass filter that naturally brightens or darkens the overall tone of the pedal. Right is brighter, left is darker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eAIR\u003c\/strong\u003e – Just like the presence knob on an amp, this lets you dial in the perfect amount of high end for compatibility with any amp. Right is brighter, left is darker.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eJACKS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e – 1\/4\" right jack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eOUTPUT\u003c\/strong\u003e – 1\/4\" left jack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e – Requires 9VDC to 18VDC center negative power and consumes 10mA.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 dir=\"ltr\"\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eTrue bypass switching\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFour controls: Volume, Drive, EQ, Air\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFixed 100-watt voicing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e9VDC to 18VDC center negative, 10mA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAssembled in Kansas City\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTHIS PEDAL MEASURES 1.96\" X 3.93\" X 1.21\" AND CONSUMES 10mA. IT CAN BE SAFELY RUN ON 9 OR 18 VOLTS.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":49060688363620,"sku":"ATM","price":129.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/jhs-pedals-at-mini-front.png?v=1787607129"},{"product_id":"barrel-aged-moonshine","title":"BARREL AGED MOONSHINE V2","description":"\u003ch1\u003e\u003cstrong\u003eThe 100 units have SOLD OUT!  \u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch1\u003e\u003cstrong\u003eThank you!\u003c\/strong\u003e\u003c\/h1\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cbr\u003e**Excluded from Welcome15 and SMS Discounts. \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e100 made. Aged 1,310 days in a charred oak Kentucky whiskey barrel. Every dollar goes to funding free music lessons for kids in our local community.\u003cbr\u003e\u003cbr\u003eIn 2022 I began the greatest experiment of my professional life. I took 100 JHS Moonshine overdrives, sealed them inside a charred oak Kentucky whiskey barrel, and walked away. In 2023 I opened the lid and dropped in a gold Klon Centaur. I wanted those chewy Centaur notes to be heard in every single note that the pedal produced. Then I waited.\u003cbr\u003e\u003cbr\u003e1,310 days later, I pulled them out and they sound delicious.\u003cbr\u003e\u003cbr\u003eA fresh Moonshine off the line is a great pedal but it's also a bit young. It hasn't sat in the dark long enough to develop body, texture, or a good finish. The charred oak did what charred oak does and the Klon did what a Klon does. I let the Missouri humidity and punishing winter climate do the rest.\u003cbr\u003e\u003cbr\u003eI can't legally call it bourbon. But I can safely say — it's bourbon-esque.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTASTING NOTES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eWhen you plug in, the first thing you will notice is the age. Hints of charred oak on the front. Rubbery notes of vanilla in the mids. An oily finish that stays on the strings after the note is gone. Turn the Proof toggle down and it packs a punch — like a top-dollar bottle of Old Crow. Turn the Drive up and the aromatics open: buttered popcorn and wet concrete. Gooey. Moist. You will feel it on the nose.\u003cbr\u003e\u003cbr\u003eStack it in front of a Tube Screamer or Bluesbreaker style drive and it brings out a mouthfeel that's a lot like an old Band-Aid. Not a used one. A pharmacy Band-Aid, still in the drawer, ten years after everyone left. You open it and think, \"I like that. I like that a lot, actually.\" Totally normal.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eWHAT YOU GET\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e- One of 100 Moonshine V2 overdrives, barrel-aged since 2022\u003cbr\u003e- Special barrel-aged logo and stamp of authenticity on the enclosure\u003cbr\u003e- A certificate of authenticity, signed by me\u003cbr\u003e- The greatest body, texture, and notes that have ever existed inside an aluminum enclosure\u003cbr\u003e\u003cbr\u003eIt's yours. Nobody else's. Never let anyone else play it.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eWHERE THE MONEY GOES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e$299. All the proceeds go towards free guitar, piano, and drum lessons for kids in Grandview, Missouri, through Art House Grandview, the nonprofit art center my wife Alice and I run down the street from JHS. You get a collectible that sounds amazing. A kid down the road gets lessons they wouldn't have gotten otherwise. Both of those are real.\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.arthousegrandview.com\" rel=\"noopener\" target=\"_blank\"\u003eVisit ArtHouse Grandview\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"https:\/\/www.instagram.com\/arthousegrandview\" rel=\"noopener\" target=\"_blank\"\u003eFollow ArtHouse Grandview on Instagram\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\n\u003cstrong\u003eOVERDRIVE \u003c\/strong\u003e     \u003c\/h2\u003e\n\u003cp class=\"\"\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCLEAN BLEND\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple  Volume, Tone, and Drive knobs.  However on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion. In the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.  The tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eCHARGE PUMP\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9V to 18V charge pump that allows it to run on normal 9V but converts it internally to 18V for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp class=\"\"\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge “wall of rock”\/The Edge-style force through a Vox.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eDUMBLE-ESQUE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. It also kills on bass guitar, the reason it was originally designed.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 30MA, AND MEASURES 2.2\" X 4.8\" X 1.6\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":50542831960164,"sku":"MSB","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0610\/7122\/9028\/files\/ii_mug1ebfv11.png?v=1790356468"}],"url":"https:\/\/jhspedals.sbs\/collections\/overdrive-distortions.oembed","provider":"JHS Pedals","version":"1.0","type":"link"}